In my area we have sheer cliffs and canyon walls that can be over a thousand feet up. To film these, do I go to the top and drop the Spark down, or do I reset the available height? What about losing contact from top to bottom?
I Iate to start a debate but I just thought of something interesting -- when standing on top of cliff and your Spark flies over the edge it will be 1,000+ feet above ground level (the canyon floor) -- this is an FAA violation. Super strange situation because Spark is actually flying below your feet yet it's too "high". Mind Blown!
I thought that in a case like that it was like when flying within 400' of a structure that you can go 400' above that structure.
Me too, but we could start a thread about the lowest anyone has ever flown a SparkI live by the sea, so I'm not a lot of help![]()
Me too, but we could start a thread about the lowest anyone has ever flown a Spark. I'll start: I live about 2 meters below sea-level so every flight starts at -6 ft ASL. Top that!
Posted my first video today, more comingIf I lived someplace with thousand foot high cliffs and sheer canyon walls I'd take footage from BOTH vantage points.
Take some shots from the canyon floor flying upwards. Then take some leaving from the top of cliff and descending down the face. Both sound great.
Just remember when going over edge of cliff and descending that if could be hard to keep Spark and RC in line of sight. If Spark descends below the "horizon" the ground you are standing upon will block signal. Can you really get that close to the cliff edge and still stand safely?
I hate to start a debate but I just thought of something interesting -- when standing on top of cliff and your Spark flies over the edge it will be 1,000+ feet above ground level (the canyon floor) -- this is an FAA violation. Super strange situation because Spark is actually flying below your feet yet it's too "high". Mind Blown!
Not really, but as I said this was only the second time flying. We're at 6000 ft elevation, but it seems to raise pretty well. Later in the year when the snow melts, I'll be filming at 10,000 feet plus.
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